Arthur I. Miller discusses his book The Artist in the Machine: The World of AI-Powered Creativity with Chris Richardson. […]
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Machines have learned how to be creative. What does that mean for art?
Go grandmaster Lee Sedol recently announced he was retiring from the game because “there is an entity that can never be defeated”: AI. As readers likely remember, an artificial intelligence known as AlphaGo defeated Lee in 2016. The grandmaster later commented that AlphaGo had displayed “human intuition.” AI is in the news regularly these days, but one […]
Read MoreThe Artist in the Machine excerpted in Nautilus
Ross Goodwin has had an extraordinary career. After playing about with computers as a child, he studied economics, then became a speech writer for President Obama, writing presidential proclamations, then took a variety of freelance writing jobs.
One of these involved churning out business letters—he calls it freelance ghostwriting. The letters were all pretty much the same, so he figured out an algorithm that would generate form letters, using a few samples as a database. […]
Read MoreInterview with Kevin Berger in Nautilus, debating the impact of machine-created art
So you’re saying we’ll one day connect with machine art as profoundly as we do now with human art?
Yes. The machine sees the world in a different way than we see the world. Just like an artist does. That gives you an inkling that machines will have a different physiology. In time, they will evolve emotions. Just from scanning the web now, they could imitate our emotions. They’ll say, “Oh, thirst, that’s cool. I think I’ll be thirsty,” and they can convince you they’re thirsty. […]
Read MoreArthur I. Miller applies the Page 99 Test to ‘The Artist in the Machine’
Amazing concept, as defined by Ford Madox Ford: ‘Open any book at page 99 to reveal the quality of the whole’!
Here’s what happens when you open The Artist in the Machine at p. 99 …
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